painterdude
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ArtVandolay said:Now that's art, 4u2. Ima vote for you.
The mise-en-scene extrapolates the cognative resonance of how the angst of the main protagonist's ouevre generated pangs of pathos without it delving into the realm of bathos, not unlike Friedleman's 'Man Without a Pity', which, albeit, exploration of the same territorial emotionality, took a far more antiseptic stance.
Art, who is Friedleman?